By Joe Lopes
May 24, 20007

One of the most touching compliments I came across lately, however, was this fairly moving one sent to me on New Year’s Eve:

Last night a dozen friends came by for pasta, wine, a couple of Jeannette MacDonald-Nelson Eddy films. After which I pulled up your delightful writings of Carmen Miranda and Bidu Sayão (“Two Brazilian Charmers” and “The High Price of Fame in Brazil”).

“We all have a little bit of film, jazz music and opera awareness and it made for a wonderful roundtable discussion… I, of course, included more of Ms. Sayão’s second husband. It made for a special evening of old friends. Many thanks. Have a great New Year and my best regards. Fred Danise, Oceanside, California.”

I found out later he was the grandson of Italian baritone Giuseppe Danise, who was indeed spouse number two to the Brazilian nightingale, soprano Bidu Sayão.

Coincidentally, just before Fred sent along his e-mail message, another of Danise’s relatives wrote me about the same pair of Carmen-Bidu pieces. To be exact, he was interested in anyone who could provide him with information leading to missing or lost Danise family members. Immediately, I referred the writer to long-lost relative Fred, and the Internet website dedicated to his grandfather’s operatic legacy.

I truly hope they were able to make the electronic connection and “link up” at some point. But that’s not the least of my e-stories. It was around this same period (November 2005, if I recall correctly), when avant-garde theater director Gerald Thomas – the perennial “enfant terrible” of the contemporary Brazilian stage – took it upon himself to make contact with me as well:

“Dearest, I’ve just read a very impressive article you wrote (“Getting to the ‘Bottom’ of Gerald Thomas”), and would love to have more info about you and how to obtain a hard copy, if there is such a thing… Would love to hear from you. LOVE, G.”

He left me his telephone number to call. Naturally, I simply had to oblige and buzz Thomas back. One thing led to another, and within a relatively short time he graciously consented to be interviewed for a longer follow-up piece (“Brazil’s Brightest ‘Prima Donna’: A Candid Talk With Gerald Thomas”) – a rare opportunity for a budding author such as me.

Not only that, he went as far as publishing my original article on his personal website, www.geraldthomas.com, and even sent me a complementary video compilation of some of his best-known theater presentations. Bravo, Gerald!

Part 3 next week…

Copyright 2007 by Josmar F. Lopes

A naturalized American citizen born in Brazil, Joe Lopes was raised and educated in New York City, where he worked for many years in the financial sector. In 1996, he moved to Brazil with his wife and daughters. In 2001, he returned to the U.S. and now resides in North Carolina with his family. You can email your comments to JosmarLopes@msn.com.

To read previous articles by Joe Lopes click below:

Bringing People Together: Electronic Voyages to Brazil Part 1
Misunderstanding Brazil’s National Anthem: A Crash-Course in the Hymn of the Nation
Brecht, Weill & Buarque: The Brazilian Play’s the Thing! Part 1
Theater, the Brecht of Life: The Influences on Chico’s “Modern” Street Opera, Part II
A Walk on the Weill Side: The Influences on Chico’s “Modern” Street Opera Part 2
A Walk on the Weill Side: The Influences on Chico’s “Modern” Street Opera Part 1
Heitor Villa-Lobos: The Brazilian Bach Part 5
Heitor Villa-Lobos: The Brazilian Bach Part 4
Heitor Villa-Lobos: The Brazilian Bach Part 3
Heitor Villa-Lobos: The Brazilian Bach Part 2
Heitor Villa-Lobos: The Brazilian Bach Part 1
Two Brazilian Charmers Part 11
Two Brazilian Charmers Part 10
Two Brazilian Charmers Part 9
Two Brazilian Charmers Part 8
Two Brazilian Charmers Part 7
Two Brazilian Charmers Part 6
Two Brazilian Charmers Part 5
Two Brazilian Charmers Part 4
Two Brazilian Charmers Part 3
Two Brazilian Charmers Part 2
Two Brazilian Charmers Part 1
Teaching English In Brazil Part 21
Teaching English In Brazil Part 20
Teaching English In Brazil Part 19
Teaching English In Brazil Part 18
Teaching English In Brazil Part 17
Teaching English In Brazil Part 16
Teaching English In Brazil Part 15
Teaching English In Brazil Part 14
Teaching English In Brazil Part 13
Teaching English In Brazil Part 12
Teaching English In Brazil Part 11
Brazil: Thrills, Spills, and… Oh Yes, No Ifs, Ands or Head-Butts, Please
Teaching English In Brazil Part 10
Teaching English In Brazil Part 9
Brazil: A Fever Called Corinthians Part 4
Brazil: Taking Flight on Florencia’s Fragile Wings Part 4
Brazil: A Fever Called Corinthians Part 3
Brazilian World Cup Debacle: Just Wait Till 2010! Part 2
Brazilian World Cup Debacle: Just Wait Till 2010! Part 1
Brazil: Taking Flight on Florencia’s Fragile Wings Part 3
Brazil: A Fever Called Corinthians Part 2
Brazil: Taking Flight on Florencia’s Fragile Wings Part 2
Brazil: A Fever Called Corinthians Part 1
Brazil: Taking Flight on Florencia’s Fragile Wings Part 1
Teaching English In Brazil Part 8
Teaching English In Brazil Part 7
Teaching English In Brazil Part 6
Teaching English In Brazil Part 5
Teaching English In Brazil Part 4
Teaching English In Brazil Part 3
Teaching English In Brazil Part 2
A German Ring in the Brazilian Rainforest Part 4
A German Ring in the Brazilian Rainforest Part 3
Teaching English In Brazil – Part I
A German Ring in the Brazilian Rainforest Part 2
A German Ring in the Brazilian Rainforest Part 1
“Down in Brazil,” with Michael Franks Part 3
“Down in Brazil,” with Michael Franks Part 2
“Down in Brazil,” with Michael Franks Part 1
Brazil: A Candid Talk with Gerald Thomas
Getting to the “bottom” of Brazil’s Gerald Thomas
A Brazilian Diva Torn Between Europe and Brazil
The Enraged Genius of Brazil’s Maestro Neschling
A German Ring in the Brazilian Rainforest
Brazil’s Musical Polyglots: What Was That You Were Singing?
Did Bossa Nova Kill Opera in Brazil?

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